INTO THE WOODS

   In 1992, I began a ten-year project that was to become one of the most enlightening experiences of my life, "Into The Woods." In the early morning hours, I would kayak in search of the perfect arboreal location. Upon finding a pristine grove that spoke to me, I would take GPS coordinates and depart for home.

  Later, as the sun was setting, I would carry my backpack, filled with 90 lbs. of large-format photographic equipment, to the exact coordinates and prepare for my all-night shoot. What began as an adventure gradually transposed into an earnest study of the lives of the forest trees. All photographs were made in complete darkness with a wide variety of filters and light sources. I began to challenge myself by creating a week's worth of night shoots on a single piece of 5x7 sheet film. In 2002, I expanded my objectives to create images based on up to fourteen nights of shooting on only one sheet of film. The complexity of these images challenged me to the point where I felt that I had reached my maximum capacity for performance in this endeavor. 

  Photographing in all seasons and weather conditions, I also became obsessed with the sounds within the darkness. The stomping of large bucks, the woosh of eagles on the wind, and the scampering of foxes punctuated the night, but through it all, it was the omnipresence of the trees that fascinated me most. I sensed the powerful and continuous communications of the forest and attempted to interpret those silent conversations into light and color.  It wasn't until many years later that I discovered my instincts were correct, in that trees communicate with other trees through the underground mycorrhizal network.